Hodie est….the ultimate day of Anno Domini 2011. Calenders are strange beasties. Time is limited on this earth. Long ago we decided to measure it, to count it out grain by grain, and possibly thereby invest into each thread some measure of goodness. Somewhere along the line, we got carried away; we have a superfluity of calenders. God gave us the sun, moon, and stars as measuring points and markers since the beginning and we’ve used each in turn. The moon’s cycles were obvious, the sun’s less so, but more complete. Large portions of the world worshipped the sun and moon; how fitting it is that we should also measure our time as we measure our worship. The earth moves like the moon in it’s own sphere, and we measure those rotations. We also recognize beginnings and endings, openings and closings. So now, the farmer’s year runs from planting to planting, the secular year runs Janus-ary to Janus-ary, and the liturgical year runs Expectation of Christ to Expectation of Christ.
This I will also make my ultimate day of Facebook (and Twitter). While I have experienced much mirth between pages of visages (go back to that Janus reference), too much of that mirth is too a-musing. I’ve allowed myself to become overly absorbed into this navy-and-white whirlwind. I’m checking out for at least January. I may be back in February; I may have decided to enhance my “Ludditism.”
Measure your time, and find the beauty in the small, and the glory in the large. Roll your eyes if you must, but go in peace.
In the words of Dr. Jackson, “Love the Lord, Attend to the Beautiful, Explore the Paradoxical, and, if possible, Produce a few good words.”
Without wax to falsify my goods,
Ray Davison
December 2011
54 posts
Everyone has two birthdays
according to the English essayist Charles Lamb,
the day you were born and New Year’s Day—
a droll observation to mull over
as I wait for the tea water to boil in a kitchen
that is being transformed by the morning light
into one of those brilliant rooms of Matisse.
“No…
Harold Pinter, as quoted by Maria Popova. Ah yes, the old “the one truth is that there is no one truth” line. How many times have we heard that one?
Whenever I think of Pinter, I think of this story: He had for many years given generous financial support to the Comedy Theatre in London — so much so that he began to pressure them to change their name to The Harold Pinter Theatre. This they were reluctant to do, but he kept pressuring them, and they began to wonder whether he would withdraw his support. Finally Tom Stoppard, who was observing the whole thing, wrote to Pinter: “Dear Harold, Have you thought, instead, of changing your name to Harold Comedy?”
But Pinter (or perhaps his heirs) didn’t see the appropriateness of the joke — so it now appears.
(via ayjay)
There is a man of whom C.S. Lewis said “I fancy I have never written a book in which I did not quote from him. On the back cover of the edition of Phantastes of which I own a copy, W.H. Auden and G.K. Chesterton have blurbs with Lewis, who wrote the introduction. This man, whom I just recently learned about, is George MacDonald. I would really encourage any of my young friends who have not yet read him to do so forthwith. He graduated long enough ago that he is in the public domain. To Project Gutenberg go you, and to a Bechtel Christmas go I!
“Sister Snowdrop died
Before we were born.”
“She came like a bride
In a snowy morn.”
“What’s a bride?”
“What is snow?
“Never tried.”
“Do not know.”
“Who told you about her?”
“Little Primrose there
Cannot do without her.”
“Oh, so sweetly fair!”
“Never fear,
She will come,
Primrose dear.”
“Is she dumb?”
“She’ll come by-and-by.”
“You will never see her.”
“She went home to dies,
“Till the new year.”
“Snowdrop!” “‘Tis no good
To invite her.”
“Primrose is very rude,
“I will bite her.”
“Oh, you naughty Pocket!
“Look, she drops her head.”
“She deserved it, Rocket,
“And she was nearly dead.”
“To your hammock—off with you!”
“And swing alone.”
“No one will laugh with you.”
“No, not one.”
“Now let us moan.”
“And cover her o’er.”
“Primrose is gone.”
“All but the flower.”
“Here is a leaf.”
“Lay her upon it.”
“Follow in grief.”
“Pocket has done it.”
“Deeper, poor creature!
Winter may come.”
“He cannot reach her—
That is a hum.”
“She is buried, the beauty!”
“Now she is done.”
“That was the duty.”
“Now for the fun.”
I
“Marble woman, vainly sleeping
In the very death of dreams!
Wilt thou—slumber from thee sweeping,
All but what with vision teems—
Hear my voice come through the golden
Mist of memory and hope;
And with shadowy smile embolden
Me with primal Death to cope?
“Thee the sculptors all pursuing,
Have embodied but their own;
Round their visions, form enduring,
Marble vestments thou hast thrown;
But thyself, in silence winding,
Thou hast kept eternally;
Thee they found not, many finding—
I have found thee: wake for me.”
II
“Rest is now filled full of beauty,
And can give thee up, I ween;
Come thou forth, for other duty
Motion pineth for her queen.
“Or, if needing years to wake thee
From thy slumbrous solitudes,
Come, sleep-walking, and betake thee
To the friendly, sleeping woods.
Sweeter dreams are in the forest,
Round thee storms would never rave;
And when need of rest is sorest,
Glide thou then into thy cave.
“Or, if still thou choosest rather
Marble, be its spell on me;
Let thy slumber round me gather,
Let another dream with thee!”
III
“Or art thou Death, O woman? for since I
Have set me singing by thy side,
Life hath forsook the upper sky,
And all the outer world hath died.
“Yea, I am dead; for thou hast drawn
My life all downward unto thee.
Dead moon of love! let twilight dawn:
Awake! and let the darkness flee.
“Cold lady of the lovely stone!
Awake! or I shall perish here;
And thou be never more alone,
My form and I for ages near.
“But words are vain; reject them all—
They utter but a feeble part:
Hear thou the depths from which they call,
The voiceless longing of my heart.”
Not a sound
But, echoing in me,
Vibrates all around
With a blind delight,
Till it breaks on Thee,
Queen of Night!
Every tree,
O’ershadowing with gloom,
Seems to cover thee
Secret, dark, love-still’d,
In a holy room
Silence-filled.
“Let no moon
Creep up the heaven to-night;
I in darksome noon
Walking hopefully,
Seek my shrouded light—
Grope for thee!
“Darker grow
The borders of the dark!
Through the branches glow,
From the roof above,
Star and diamond-sparks
Light for love.”
I
Through the realms of the monarch Sun
Creeps a world, whose course had begun,
On a weary path with a weary pace,
Before the Earth sprang forth on her race:
But many a time the Earth had sped
Around the path she still must tread,
Ere the elder planet, on leaden wing,
Once circled the court of the planet’s king.
There, in that lonely and distant star,
The seasons are not as our seasons are;
But many a year hath Autumn to dress
The trees in their matron loveliness;
As long hath old Winter in triumph to go
O’er beauties dead in his vaults below;
And many a year the Spring doth wear
Combing the icicles from her hair;
And Summer, dear Summer, hath years of June,
With large white clouds, and cool showers at noon:
And a beauty that grows to a weight like grief,
Till a burst of tears is the heart’s relief.
Children, born when Winter is king,
May never rejoice in the hoping Spring;
Though their own heart-buds are bursting with joy,
And the child hath grown to the girl or boy;
But may die with cold and icy hours
Watching them ever in place of flowers.
And some who awake from their primal sleep,
When the sighs of Summer through forests creep,
Live, and love, and are loved again;
Seek for pleasure, and find its pain;
Sink to their last, their forsaken sleeping,
With the same sweet odours around them creeping.
II
She watched them dying for many a day,
Dropping from off the old trees away,
One by one; or else in a shower
Crowding over the withered flower
For as if they had done some grievous wrong,
The sun, that had nursed them and loved them so long,
Grew weary of loving, and, turning back,
Hastened away on his southern track;
And helplessly hung each shrivelled leaf,
Faded away with an idle grief.
And the gusts of wind, sad Autumn’s sighs,
Mournfully swept through their families;
Casting away with a helpless moan
All that he yet might call his own,
As the child, when his bird is gone for ever,
Flingeth the cage on the wandering river.
And the giant trees, as bare as Death,
Slowly bowed to the great Wind’s breath;
And groaned with trying to keep from groaning
Amidst the young trees bending and moaning.
And the ancient planet’s mighty sea
Was heaving and falling most restlessly,
And the tops of the waves were broken and white,
Tossing about to ease their might;
And the river was striving to reach the main,
And the ripple was hurrying back again.
Nature lived in sadness now;
Sadness lived on the maiden’s brow,
As she watched, with a fixed, half-conscious eye,
One lonely leaf that trembled on high,
Till it dropped at last from the desolate bough—
Sorrow, oh, sorrow! ‘tis winter now.
And her tears gushed forth, though it was but a leaf,
For little will loose the swollen fountain of grief:
When up to the lip the water goes,
It needs but a drop, and it overflows.
Oh! many and many a dreary year
Must pass away ere the buds appear:
Many a night of darksome sorrow
Yield to the light of a joyless morrow,
Ere birds again, on the clothed trees,
Shall fill the branches with melodies.
She will dream of meadows with wakeful streams;
Of wavy grass in the sunny beams;
Of hidden wells that soundless spring,
Hoarding their joy as a holy thing;
Of founts that tell it all day long
To the listening woods, with exultant song;
She will dream of evenings that die into nights,
Where each sense is filled with its own delights,
And the soul is still as the vaulted sky,
Lulled with an inner harmony;
And the flowers give out to the dewy night,
Changed into perfume, the gathered light;
And the darkness sinks upon all their host,
Till the sun sail up on the eastern coast—
She will wake and see the branches bare,
Weaving a net in the frozen air.
Feet of beauty, firmly planting
Arches white on rosy heel!
Whence the life-spring, throbbing, panting,
Pulses upward to reveal!
Fairest things know least despising;
Foot and earth meet tenderly:
‘Tis the woman, resting, rising
Upward to sublimity,
Rise the limbs, sedately sloping,
Strong and gentle, full and free;
Soft and slow, like certain hoping,
Drawing nigh the broad firm knee.
Up to speech! As up to roses
Pants the life from leaf to flower,
So each blending change discloses,
Nearer still, expression’s power.
Lo! fair sweeps, white surges, twining
Up and outward fearlessly!
Temple columns, close combining,
Lift a holy mystery.
Heart of mine! what strange surprises
Mount aloft on such a stair!
Some great vision upward rises,
Curving, bending, floating fair.
Bands and sweeps, and hill and hollow
Lead my fascinated eye;
Some apocalypse will follow,
Some new world of deity.
Zoned unseen, and outward swelling,
With new thoughts and wonders rife,
Queenly majesty foretelling,
See the expanding house of life!
Sudden heaving, unforbidden
Sighs eternal, still the same—
Mounts of snow have summits hidden
In the mists of uttered flame.
But the spirit, dawning nearly
Finds no speech for earnest pain;
Finds a soundless sighing merely—
Builds its stairs, and mounts again.
Heart, the queen, with secret hoping,
Sendeth out her waiting pair;
Hands, blind hands, half blindly groping,
Half inclasping visions rare;
And the great arms, heartways bending;
Might of Beauty, drawing home
There returning, and re-blending,
Where from roots of love they roam.
Build thy slopes of radiance beamy
Spirit, fair with womanhood!
Tower thy precipice, white-gleamy,
Climb unto the hour of good.
Dumb space will be rent asunder,
Now the shining column stands
Ready to be crowned with wonder
By the builder’s joyous hands.
All the lines abroad are spreading,
Like a fountain’s falling race.
Lo, the chin, first feature, treading,
Airy foot to rest the face!
Speech is nigh; oh, see the blushing,
Sweet approach of lip and breath!
Round the mouth dim silence, hushing,
Waits to die ecstatic death.
Span across in treble curving,
Bow of promise, upper lip!
Set them free, with gracious swerving;
Let the wing-words float and dip.
DUMB ART THOU? O Love immortal,
More than words thy speech must be;
Childless yet the tender portal
Of the home of melody.
Now the nostrils open fearless,
Proud in calm unconsciousness,
Sure it must be something peerless
That the great Pan would express!
Deepens, crowds some meaning tender,
In the pure, dear lady-face.
Lo, a blinding burst of splendour!—
’Tis the free soul’s issuing grace.
Two calm lakes of molten glory
Circling round unfathomed deeps!
Lightning-flashes, transitory,
Cross the gulfs where darkness sleeps.
This the gate, at last, of gladness,
To the outward striving me:
In a rain of light and sadness,
Out its loves and longings flee!
With a presence I am smitten
Dumb, with a foreknown surprise;
Presence greater yet than written
Even in the glorious eyes.
Through the gulfs, with inward gazes,
I may look till I am lost;
Wandering deep in spirit-mazes,
In a sea without a coast.
Windows open to the glorious!
Time and space, oh, far beyond!
Woman, ah! thou art victorious,
And I perish, overfond.
Springs aloft the yet Unspoken
In the forehead’s endless grace,
Full of silences unbroken;
Infinite, unfeatured face.
Domes above, the mount of wonder;
Height and hollow wrapt in night;
Hiding in its caverns under
Woman-nations in their might.
Passing forms, the highest Human
Faints away to the Divine
Features none, of man or woman,
Can unveil the holiest shine.
Sideways, grooved porches only
Visible to passing eye,
Stand the silent, doorless, lonely
Entrance-gates of melody.
But all sounds fly in as boldly,
Groan and song, and kiss and cry
At their galleries, lifted coldly,
Darkly, ‘twixt the earth and sky.
Beauty, thou art spent, thou knowest
So, in faint, half-glad despair,
From the summit thou o’erflowest
In a fall of torrent hair;
Hiding what thou hast created
In a half-transparent shroud:
Thus, with glory soft-abated,
I
If a nobler waits for thee,
I will weep aside;
It is well that thou should’st be,
Of the nobler, bride.
For if love builds up the home,
Where the heart is free,
Homeless yet the heart must roam,
That has not found thee.
One must suffer: I, for her
Yield in her my part
Take her, thou art worthier—
Still I be still, my heart!
Gift ungotten! largess high
Of a frustrate will!
But to yield it lovingly
Is a something still.
II
Do not vex thy violet
Perfume to afford:
Else no odour thou wilt get
From its little hoard.
In thy lady’s gracious eyes
Look not thou too long;
Else from them the glory flies,
And thou dost her wrong.
Come not thou too near the maid,
Clasp her not too wild;
Else the splendour is allayed,
And thy heart beguiled.
Sir Aglovaile through the churchyard rode;
SING, ALL ALONE I LIE:
Little recked he where’er he yode,
ALL ALONE, UP IN THE SKY.
Swerved his courser, and plunged with fear
ALL ALONE I LIE:
His cry might have wakened the dead men near,
ALL ALONE, UP IN THE SKY.
The very dead that lay at his feet,
Lapt in the mouldy winding-sheet.
But he curbed him and spurred him, until he stood
Still in his place, like a horse of wood,
With nostrils uplift, and eyes wide and wan;
But the sweat in streams from his fetlocks ran.
A ghost grew out of the shadowy air,
And sat in the midst of her moony hair.
In her gleamy hair she sat and wept;
In the dreamful moon they lay and slept;
The shadows above, and the bodies below,
Lay and slept in the moonbeams slow.
And she sang, like the moan of an autumn wind
Over the stubble left behind:
Alas, how easily things go wrong!
A sigh too much, or a kiss too long,
And there follows a mist and a weeping rain,
And life is never the same again.
Alas, how hardly things go right!
‘Tis hard to watch on a summer night,
For the sigh will come and the kiss will stay,
And the summer night is a winter day.
“Oh, lovely ghosts my heart is woes
To see thee weeping and wailing so.
Oh, lovely ghost,” said the fearless knight,
”Can the sword of a warrior set it right?
Or prayer of bedesman, praying mild,
As a cup of water a feverish child,
Sooth thee at last, in dreamless mood
To sleep the sleep a dead lady should?
Thine eyes they fill me with longing sore,
As if I had known thee for evermore.
Oh, lovely ghost, I could leave the day
To sit with thee in the moon away
If thou wouldst trust me, and lay thy head
To rest on a bosom that is not dead.”
The lady sprang up with a strange ghost-cry,
And she flung her white ghost-arms on high:
And she laughed a laugh that was not gay,
And it lengthened out till it died away;
And the dead beneath turned and moaned,
And the yew-trees above they shuddered and groaned.
“Will he love me twice with a love that is vain?
Will he kill the poor ghost yet again?
I thought thou wert good; but I said, and wept:
‘Can I have dreamed who have not slept?’
And I knew, alas! or ever I would,
Whether I dreamed, or thou wert good.
When my baby died, my brain grew wild.
I awoke, and found I was with my child.”
“If thou art the ghost of my Adelaide,
How is it? Thou wert but a village maid,
And thou seemest an angel lady white,
Though thin, and wan, and past delight.”
The lady smiled a flickering smile,
And she pressed her temples hard the while.
“Thou seest that Death for a woman can
Do more than knighthood for a man.”
“But show me the child thou callest mine,
Is she out to-night in the ghost’s sunshine?”
“In St. Peter’s Church she is playing on,
At hide-and-seek, with Apostle John.
When the moonbeams right through the window go,
Where the twelve are standing in glorious show,
She says the rest of them do not stir,
But one comes down to play with her.
Then I can go where I list, and weep,
For good St. John my child will keep.”
“Thy beauty filleth the very air,
Never saw I a woman so fair.”
“Come, if thou darest, and sit by my side;
But do not touch me, or woe will betide.
Alas, I am weak: I might well know
This gladness betokens some further woe.
Yet come. It will come. I will bear it. I can.
For thou lovest me yet—though but as a man.”
The knight dismounted in earnest speed;
Away through the tombstones thundered the steed,
And fell by the outer wall, and died.
But the knight he kneeled by the lady’s side;
Kneeled beside her in wondrous bliss,
Rapt in an everlasting kiss:
Though never his lips come the lady nigh,
And his eyes alone on her beauty lie.
All the night long, till the cock crew loud,
He kneeled by the lady, lapt in her shroud.
And what they said, I may not say:
Dead night was sweeter than living day.
How she made him so blissful glad
Who made her and found her so ghostly sad,
I may not tell; but it needs no touch
To make them blessed who love so much.
“Come every night, my ghost, to me;
And one night I will come to thee.
‘Tis good to have a ghostly wife:
She will not tremble at clang of strife;
She will only hearken, amid the din,
Behind the door, if he cometh in.”
And this is how Sir Aglovaile
Often walked in the moonlight pale.
And oft when the crescent but thinned the gloom,
Full orbed moonlight filled his room;
And through beneath his chamber door,
Fell a ghostly gleam on the outer floor;
And they that passed, in fear averred
That murmured words they often heard.
‘Twas then that the eastern crescent shone
Through the chancel window, and good St. John
Played with the ghost-child all the night,
And the mother was free till the morning light,
And sped through the dawning night, to stay
With Aglovaile till the break of day.
And their love was a rapture, lone and high,
And dumb as the moon in the topmost sky.
One night Sir Aglovaile, weary, slept
And dreamed a dream wherein he wept.
A warrior he was, not often wept he,
But this night he wept full bitterly.
He woke—beside him the ghost-girl shone
Out of the dark: ‘twas the eve of St. John.
He had dreamed a dream of a still, dark wood,
Where the maiden of old beside him stood;
But a mist came down, and caught her away,
And he sought her in vain through the pathless day,
Till he wept with the grief that can do no more,
And thought he had dreamt the dream before.
From bursting heart the weeping flowed on;
And lo! beside him the ghost-girl shone;
Shone like the light on a harbour’s breast,
Over the sea of his dream’s unrest;
Shone like the wondrous, nameless boon,
That the heart seeks ever, night or noon:
Warnings forgotten, when needed most,
He clasped to his bosom the radiant ghost.
She wailed aloud, and faded, and sank.
With upturn’d white face, cold and blank,
In his arms lay the corpse of the maiden pale,
And she came no more to Sir Aglovaile.
Only a voice, when winds were wild,
Sobbed and wailed like a chidden child.
Alas, how easily things go wrong!
A sigh too much, or a kiss too long,
And there follows a mist and a weeping rain,
And life is never the same again.
I
The old woman sang:
The great sun, benighted,
May faint from the sky;
But love, once uplighted,
Will never more die.
Form, with its brightness,
From eyes will depart:
It walketh, in whiteness,
The halls of the heart.
II
O light of dead and of dying days!
O Love! in thy glory go,
In a rosy mist and a moony maze,
O’er the pathless peaks of snow.
But what is left for the cold gray soul,
That moans like a wounded dove?
One wine is left in the broken bowl!—
‘Tis—TO LOVE, AND LOVE AND LOVE.
III
Better to sit at the waters’ birth,
Than a sea of waves to win;
To live in the love that floweth forth,
Than the love that cometh in.
Be thy heart a well of love, my child,
Flowing, and free, and sure;
For a cistern of love, though undefiled,
Keeps not the spirit pure.
IV
Thou dreamest: on a rock thou art,
High o’er the broken wave;
Thou fallest with a fearful start
But not into thy grave;
For, waking in the morning’s light,
Thou smilest at the vanished night
So wilt thou sink, all pale and dumb,
Into the fainting gloom;
But ere the coming terrors come,
Thou wak’st—where is the tomb?
Thou wak’st—the dead ones smile above,
With hovering arms of sleepless love.
V
We weep for gladness, weep for grief;
The tears they are the same;
We sigh for longing, and relief;
The sighs have but one name,
And mingled in the dying strife,
Are moans that are not sad
The pangs of death are throbs of life,
Its sighs are sometimes glad.
The face is very strange and white:
It is Earth’s only spot
That feebly flickers back the light
The living seeth not.
I
The king sat on his throne
Glowing in gold and red;
The crown in his right hand shone,
And the gray hairs crowned his head.
His only son walks in,
And in walls of steel he stands:
Make me, O father, strong to win,
With the blessing of holy hands.”
He knelt before his sire,
Who blessed him with feeble smile
His eyes shone out with a kingly fire,
But his old lips quivered the while.
“Go to the fight, my son,
Bring back the giant’s head;
And the crown with which my brows have done,
Shall glitter on thine instead.”
“My father, I seek no crowns,
But unspoken praise from thee;
For thy people’s good, and thy renown,
I will die to set them free.”
The king sat down and waited there,
And rose not, night nor day;
Till a sound of shouting filled the air,
And cries of a sore dismay.
Then like a king he sat once more,
With the crown upon his head;
And up to the throne the people bore
A mighty giant dead.
And up to the throne the people bore
A pale and lifeless boy.
The king rose up like a prophet of yore,
In a lofty, deathlike joy.
He put the crown on the chilly brow:
“Thou should’st have reigned with me
But Death is the king of both, and now
I go to obey with thee.
“Surely some good in me there lay,
To beget the noble one.”
The old man smiled like a winter day,
And fell beside his son.
II
“O lady, thy lover is dead,” they cried;
”He is dead, but hath slain the foe;
He hath left his name to be magnified
In a song of wonder and woe.”
“Alas! I am well repaid,” said she,
“With a pain that stings like joy:
For I feared, from his tenderness to me,
That he was but a feeble boy.
“Now I shall hold my head on high,
The queen among my kind;
If ye hear a sound, ‘tis only a sigh
For a glory left behind.”
Oh, well for him who breaks his dream
With the blow that ends the strife
And, waking, knows the peace that flows
Around the pain of life!
We are dead, my brothers! Our bodies clasp,
As an armour, our souls about;
This hand is the battle-axe I grasp,
And this my hammer stout.
Fear not, my brothers, for we are dead;
No noise can break our rest;
The calm of the grave is about the head,
And the heart heaves not the breast.
And our life we throw to our people back,
To live with, a further store;
We leave it them, that there be no lack
In the land where we live no more.
Oh, well for him who breaks his dream
With the blow that ends the strife
And, waking, knows the peace that flows
Around the noise of life!
Heart be stout,
And eye be true;
Good blade out!
And ill shall rue.
Courage, horse!
Thou lackst no skill;
Well thy force
Hath matched my will.
For the foe
With fiery breath,
At a blow,
It still in death.
Gently, horse!
Tread fearlessly;
‘Tis his corse
That burdens thee.
The sun’s eye
Is fierce at noon;
Thou and I
Will rest full soon.
And new strength
New work will meet;
Till, at length,
Long rest is sweet.
The sun, like a golden knot on high,
Gathers the glories of the sky,
And binds them into a shining tent,
Roofing the world with the firmament.
And through the pavilion the rich winds blow,
And through the pavilion the waters go.
And the birds for joy, and the trees for prayer,
Bowing their heads in the sunny air,
And for thoughts, the gently talking springs,
That come from the centre with secret things—
All make a music, gentle and strong,
Bound by the heart into one sweet song.
And amidst them all, the mother Earth
Sits with the children of her birth;
She tendeth them all, as a mother hen
Her little ones round her, twelve or ten:
Oft she sitteth, with hands on knee,
Idle with love for her family.
Go forth to her from the dark and the dust,
And weep beside her, if weep thou must;
If she may not hold thee to her breast,
Like a weary infant, that cries for rest
At least she will press thee to her knee,
And tell a low, sweet tale to thee,
Till the hue to thy cheeky and the light to thine eye,
Strength to thy limbs, and courage high
To thy fainting heart, return amain,
And away to work thou goest again.
From the narrow desert, O man of pride,
Come into the house, so high and wide.
“Form is much, but size is nothing.”
“…as the ripples of laughter die into the still face of joy.”
“I might find here the magic word of power to banish the demon and set me free, so that I should no longer be a man beside myself.”
“As might be expected of one of his temperament, his interest had blossomed into love and his love—shall I call it ripened, or – withered into passion?”
“For essential beauty is infinite, and, as the soul of Nature needs an endless succession of varied forms to embody her loveliness, countless daces of beauty springing forth, not any two the same, at every one of her hearth throbs, so the individual form needs an infinite change of its environments, to enable it to uncover all the phases of its loveliness.”
“No songs came. My soul was not still enough for songs. Only in the silence and darkness of the soul’s night, do those stars of the inward firmament sink to its lower surface from the singing realms beyond, and shine upon the conscious spirit.”
“Silence rolled like a spiritual thunder through the grand space.”
“Only because uplifted in song, was I able to endure the blaze of the dawn.”
“It may seems strange that on with whom I had held so little communion should have so engrossed my thoughts, but benefits conferred awaken love in some minds, as surely as benefits received.”
“…the same fact caused me to feel a tenderness unspeakable for her, accompanied with a kind of feeling of property in her, for so the goblin Selfishness would reward the angel Love.”
“Endurance must conquer, where force could not reach.”
“He was but the moon of my night; thou art the sun of my day, O beloved.”
“Go, my son, and do something worth doing.”
“’Past tears are present growth’, said she. [and] tears are the only cure for weeping.”
“I learned that he that will be a hero, will barely be a man, that he that will be nothing but a doer of his work, is sure of his manhood.”
“The very fact that anything can die, implies the existence of something that cannot die; which must either take to itself another form, as when the seed that is sown dies, and arises again; or, in conscious existence, may, perhaps, continue to lead a purely spiritual life.”
“I knew now, that it is by loving, and not by being loved, that one can come nearest the soul of another; yea, that, where two love, it is the loving of each other, and not the being loved by each other, that originates and perfects and assures their blessedness.”
“Thus I, who set out to find my Ideal, came back rejoicing that I had lost my Shadow.”
“Yet I know that good is coming to me – that good is always coming; though few have at all times the simplicity and the courage to believe it.”
